Commissioning new decorative plasterwork

Fleur-de-lis

Decorative lime plasterwork was once found throughout homes in the UK whether they were grand or poor. Overtime decorative elements have been lost to changing fashions and the lack of available skill to repair them. 

It is our passion to restore and help bring about a revival of the traditional craft of modelling and casting with plaster in situ. The term for the craft was once known as ‘Plaistering’ and is still known to some as ‘Pargetry’.

The trade and methods for decorating with plaster have evolved over time and shifted away from modelling plaster in situ towards manufacture and installation. This is in line with the shift away from lime and towards the, now wide, availability of gypsum. Since the Victorian era the market for decorative elements has been dominated by fibrous pieces cast in plaster of paris with hessian fibre for reinforcement. These pieces set hard in 20 minutes and are then sent to site for installation once dry. The Elizabethans, however, modelled with their haired lime in situ and cast their enrichment by pressing doughy plaster into a wooden mould and then applying to the plastered surface. 

Watercolour sketch from an overmantel in Somerset
Watercolour sketch of an early 18th Century overmantel in Somerset

What is special about pargetry is the wide array of style and artistic expression of the pargetter/Plaisterer. Regions often have their own styles of the craft and a popular pargetter’s work can be identified on numerous buildings by their signature style and moulds.

When starting a new comission, research is carried out into what remains of the craft in the client’s local area to get a sense of the vernacular. The name, use and prior purpose of the building can all be used to inform a design. Whilst heraldry and family emblems were popular themes for the elite tudor, butter stamps were often impressed in setting plaster in farms.

 A maquette sample is then made for the client, this informs the quote and is an easy stage to make adjustments.

Maquette inspired by pigmented stucco in pompeii. Arts and Crafts design by Bankart.
Maquette inspired by pigmented stucco in pompeii.
Arts and Crafts design by Bankart.

 

Popular places for adding decoration and interest to a room:

Ceilings

Finished shapes enjoying natural light and shade
Finished shapes enjoying natural light and shade

 

Cornice

A cornice covers the join between the wall and ceiling where cracks were prone to appear.

Hand mitering corner of Georgian cornice
Hand mitering corner of Georgian cornice

 

Frieze

A frieze is a repeat pattern that travels around the top of the wall, it offers a great opportunity for a modelled scene of plants, animals and mythical beasts.

Gothic frieze of pomegranates
Gothic frieze of pomegranates

 

Fireplace

Finished fireplace
Finished fireplace

 

Overmantel

Holy Boughs chosen to match the Welsh name for the house
Holy Boughs chosen to match the Welsh name for the house

 

Below staircases

Sloping ceilings below staircases offer a neatly framed canvas for plaster. The plaster in turn makes a feature of the surface and ties the all the elements of the space together, the detailed carpentry of the stair and the transition between the room you're leaving and the space you're being led into.

Detail added to the sloping ceilings below staircase
Detail added to the sloping ceilings below staircase.

If you have an idea or space you want to embelish with plaster details get in touch.

For further inspiring photos of Historic styles of plasterwork click here.